Wednesday, September 20, 2017

Japanese Dancer Mia, made by Anne Palmer

A visual account of how 'Mia' came into being under the hands of Anne Palmer. The first doll made in my studio by someone other than myself.  Mia is turning out to be beautiful.
'Mia',  made by Anne Palmer
(Her Kimono is still to be finished)
A few months ago I announced here on my blog that I had made the decision to teach puppet and doll making in my studio. To concentrate on 'all-things-puppet'. At the time I had no idea how this was going to work, if anyone might be interested. Little did I know that I would receive requests for puppet making classes from people who did not even know I was teaching... 
The word must be out in the universe.

Anyway. Anne Palmer was the first to complete an eight week long course, although she still has to finish her doll Mia's kimono. The second class (of three students) has started, the third one is already booked. (Classes run for one and a half hour per week, for 8 weeks, with plenty of work to do at home.)

I just LOVE to see the individual characters emerge. 

The very early stages of what became to be Mia
Anne came to my class with Margaret, (who was unable to continue half way through). Anne's aim was to create a Japanese dancer, based on a poem she had written:



Flying crane on a Japanese kimono

I could be this bird
whose movement across
the warp of time
is more real
than my thread-bare 
imitation.


I could just be,
free from
sophisticated knots
that tie and dye me
in stringy metres
starched and subdued.

© Anne Palmer 2017




The character is starting to emerge
stuffing the body
As Anne's doll was going to be attached to a painted screen, we decided that there was no point in adding strings to make a fully workable puppet. We chose a stuffed, and wired body, and added syringes in the back in order to attach the doll to the backdrop. An experimental way, but it worked!

Mia against the Japanese Screen,
which will have painted panels,
felt panels
and the words of the poem written on it.
creating some beautiful hands
Mia, will be holding a fan in one hand, while her other hand portrays a gracious movement. 
I think Anne made a wonderful pair of hands.
ahh... a bit of a rest in the studio before class!
lip-painting
As the facilitator,  it is wonderful to see the connection that is made over the weeks between the maker and the emerging doll/puppet. Often there is a bond between them. Between the two worlds. Or perhaps between the outer and inner world of the maker. A mysterious adventure into the unknown.

Anne opted to keep the facial features white, with a hint of rouge, and very distinct red lips.
And created a 'bodysuit' for under the kimono.

almost ready to see into our world.
I ask new students not to have a fully formed idea on what their puppet/doll should look like. The puppets have a habit of come out the way they want. 

The ability to let the creative process happen  is key to a fun adventure, and successful outcome.
haircut
Proud mama Anne
This Japanese Dancer is at this stage sill awaiting
her kimono, but the fabric has been chosen
and the design created.
I look forward to see Mia as fully finished doll. With Kimono and fan. As well as the Japanese themed backdrop with the painted panels, the felted panels and the poetry.

What an incredible multi media project.

Well done Anne!

Further reading and links:



Tuesday, September 12, 2017

Puppet Reflection

I have come to accept that certain art projects take years to grow from the initial seed (idea) to a finished piece of art, with its own story to tell. My dance puppets are one such project.


two sculpted heads drying on a stove, each resting on a sculpted lower leg. By Artist Corina Duyn
Heads drying on the stove.
The shoes- also drying, were a handy way
to keep the heads upright... 
Looking back:

I found this abstract From a blog post in March 2014:

"... During my residency at the Tyrone Guthrie Centre at Annaghmakerrig [September 2013] I was invited to visit the dance studio. When I made my way up there, the person who had invited me was not there. Walking through the door I was faced by a full wall of mirrors.
Unsettled by my reflection, I turned around, sat down, and observed the beautiful views from the large windows: the greenhouse, Annaghmakerrig House, fields, and trees. Lots of trees. A robin landed on the wall in front of me. A playful dog ran back and forth (danced?) along the patio, his owner not to be seen. Listening to a reversing tractor making a sound like a musical instrument, I decided it was time to look around and face the dance studio mirrors.
I walked, slowly. Stood still, two canes holding me upright. When I moved the canes behind my back I looked pretty normal. I could be that dancer. But looking with intend into my face, brought sadness.
Here was the reality: I am disabled. Rely on canes to walk. Can only stand steadily for a few minutes. Away from mirrors I generally do not see my life to be so much different from the ‘healthy’. 

I needed to trust my body, trust I can dance. In my own way. 
As a result of this encounter, the puppets I was working on which were to represent dancers, changed from two healthy dancers to one disabled dancer seeing her healthy reflection in the mirror.
In art I can be who I want to be. In art I have danced. ..."

I had started to make one of the heads four years ago... But life took a different route. And I was not so sure about the head I had created... It was different from my usual more whimsical faces. 
Over the years other sculptures were started, and finished. But this one head remained in my studio. Untouched. But not forgotten. 


Starting the puppet making workshops in my studio 8 weeks ago was the catalyst to resume working on the Dancer puppets. (Of course the whole puppet adventures have taken on a life of their own as well. See below for link.)

As I wanted to have the puppet face itself in a 'mirror' (I intend to use framed plexiglass as a pretend mirror), I had to find a way to copy the head I had made. I decided that the best way to do this was create a plaster mould. Having made the copy of the head with DAS air drying clay, I was able to change the facial features some bit, to a more open, happy face, while the clay was still wet.

two puppets / marionettes in the making. Showing wooden bodies and sculpted heads  By Corina Duyn
Dancer Puppets in the making.
One with walking sticks,
the other more free in her movements

I have assembled two wooden puppet bodies. The parts made with the help of my brother Joop, and IWA puppet maker Paul.

I made two individual sets of hands. One set to hold on to the walking sticks. The other with a much more movement in her arms and hands- even her wrists. (I moulded a piece of rope from a roller blind between the hand and forearm)


hands in the making. Adding one finger at the time
Hands in progress
The puppet with the walking sticks will be pretty much stationary when facing the 'mirror'. The other one- the reflection of herself in the 'mirror' I would like to be able to move. To Dance!
This will be an exciting adventure too. 
Of course the puppets can be manipulated manually... like the puppets in Life Outside the Box but I am also exploring how the puppet in the mirror can move with the help of a little motor.  
This part will be created in collaboration with Cork based Artist Dominic Fee .
I am so excited!

Today, eight weeks after having resumed this project, I have applied the first of four layers of paint/varnish on the puppets. Over the next few weeks/months, I will look for the fabric, and design the clothing, decide on hair style, and finish the painting process.
And suddenly, the puppet and its reflection in the mirror are becoming little 'people'.

Watch this space!


Further reading:

Friday, August 25, 2017

A short adventure to Owennashad River in Lismore

photograph of remaining seeds on a dandelion. photo by Corina Duyn
Beautiful dying dandelion
I had friends over from Holland last week, I wanted to show them Lismore strand (Owennashad River). Of course stopping off at the bridge over the Blackwater to take photos of them and Lismore castle. 
My mobility scooter just about fits on the bridge's sidewalk, although it requires some nerve wrecking manoeuvring to not tumble of the sidewalk onto the road.

Getting to the Strand, my objective, was even more challenging. But fun. 
As staying on the road seemed a bit dangerous, I managed to get up on the sidewalk over the second bridge, but halfway down, it proved to be just a little too narrow to pass the lamppost. I could not reverse, too narrow to take that change, so I got off my scooter. Annemieke handed me my sticks, Marga and Hanna manually manoeuvred the scooter carefully around the lamppost. Must have been an interesting sight!

Anyway, we did make it to the Owennashad river, which runs alongside the Blackwater. In the summer time part of the river is dug out to make it into a pool. A beautiful spot. But unfortunately rather inaccessibly by wheelchair/scooter due to the beautiful roots of the ancient trees. My friends did walk down, and I had some glorious time sitting by the 'peddling pool' part of the river.
while my friends walked further to
Lismore Strand...

I looked at the flowers and grasses around me, like the dying dandelions. And Truly, I am mesmerized how beautiful they are.
photograph of remaining seeds on a dandelion. photo by Corina Duyn
Dandelion seed head. Just beautiful

photograph of closed seed head of a dandelion. photo by Corina Duyn
Dandelion
photograph of closed dandelion with few remaining yellow petles. photo by Corina Duyn
Dandelion
Grey wagtail over Owennashad River in Lismore, photo by Corina Duyn
Grey Wagtail on the river
I spotted a grey wagtail over the river too, and watched the water move over the rocks. 
The dance of nature.
Grey wagtail over Owennashad River in Lismore, photo by Corina Duyn
Grey Wagtail on the river
Towards Lismore strand
bridge over Owennashad River 
autumn starting already
Yes, I would have liked to walk the pathway, but I was ever to pleased to be at the water's edge. Surrounded by nature.
And having the company of friends!


Saturday, August 19, 2017

M.E. (ME/CFS) and the fight for rights

(Edit:just noticed that this post comes up rather scrambled on iPhone. No idea why this happened. It is fine on iPad or Computer. I had to re-edit the post. Sorry for any inconvenience. Corina. )

 This account by Dr. Myhill almost made me cry.

I have been subjected to the CBT/ Graded Exercise proposition during hospital stays, and appointments, but avoided having to actually undergoing this "treatment" See my story HERE

 The "all in your head" scenario still prevails... Prescriptions for anti-depressants are still being given... But the fight for our rights and doctors rights have taken a new step.

 This short (6.40 min) but powerful video is a great explanation of how hard people with M.E have to fight to get treatment, and to be able to avail of the right support. But also how some practitioners have to fight to be able give treatments. I did not know that many doctors have been struck of the medical councils as they have treated people with M.E.

 Dr. Myhill tells in short about the very flawed and fraudulent data of the now notorious PACE trial carried out in 2011. How the findings of this government funded trial concluded that CBT (Cognitive Behavioural Therapy) and Graded exercises were the only way people with ME/CFS would "recover".

The trail has now finally been taken apart. It has been a long battle.
Dr Myhill  is now hoping to get MPs to sign up to MAIMES - Medical Abuse in ME Sufferers - to demand a Public Inquiry into the abuse of ME sufferers over the last few decades.

 PS. have not met this doctor, but know of others who have been treated by her. 
Her videos and talks are very much to the point. No nonsense 

 Watch the video Here :

Sunday, August 13, 2017

The astonishing world inhabited by puppets

Attending the Puppet Symposium  last week was like stepping into a completely new world. And yet when I entered it, and moved about with open eyes and ears, I realised I had been part of this amazing, creative, fun, healing, and astonishing place for pretty much all my life. 

I just did not know it...


photo of Persephone Sextou and puppet Johnny Dwyer having a private moment.  Corina Duyn is holding the puppet
Persephone Sextou and puppet Johnny Dwyer having a private moment.
 (I am allowed to witness this...)


Johnny's Ancestors

While writing my paper/ my presentation for the Symposium, I looked back at the dolls and puppets I created in my life. I made dolls clothes on an Singer hand sewing machine around the ages of 7, or 8. Made my first doll at the age of ten. Borrowed doll making books throughout my teens from the library, and bought my first book at the age of 16. My first ever puppet, a clown, was created from this book. I still use the puppet body design in today's classes! Nearly 40 years on...

Fantasy Folk

Moving to Ireland saw the start of my Fantasy Folk Artist Dolls and Puppets. I had my work in shops, and has solo exhibitions. I work on Private and corporate commissions. Including the Waterford Crystal one, I wrote about a while back. A puppet/animated related work was that of Ballycardool  by Jimmy Marukami. I also taught puppet making with two young art students from Finland, and in a group home, in the months before illness changed my life in 1998.


Puppet Power

During this work at the group home with teenagers, I realised the Power of Puppets. I think there were about 6 youngsters in the group. All Very Eager to work with me. We had made the heads of the puppets and had started on the hands. One young lad of about 13 had made a clown's head. Gorgeous. Funny. Just like himself. But when he made the hands, they were closed fists.
Powerful stuff.

I still feel bad for leaving these youngsters without finishing their puppet. I was too ill to even sit up, not to mind teach. 19 years later I still want to work with them. They probably have kids of their own by now, but if they read this, please get in touch.


Moving on

Puppets made their return in a big way when I started to facilitate the Life Outside the Box Puppet project with fellow members of the Irish Wheelchair Association (IWA) in 2015. This project catapulted me into the Puppet Power World, and into that of the Puppet Symposium. I just didn't see it coming! 

Yes, I know I was invited to talk about the project. And yes, I was a little scared to say my bit amongst researchers, and speakers from all over the world. People who are involved with puppetry for years, and know what they are talking about.
As it turned out, I also know what I am talking about. 
I know the journey I made from childhood in dolls and puppets, from being an artist, witnessing the powerful ways puppets can explore challenges in our lives. I have seen it. I have lived it. 
I just didn't realize that what I have been doing in my work, especially working with others with disabilities, while living with disability myself, represents a unique experience. 

Puppetry and disability

One of the first speakers Moira Jenkins, a lawyer, puppeteer, and lecturer, talked about the UN Convention of the rights of a person with disabilities - Which by the way is still not ratified by the Irish government - to be involved in the arts. More than just participation. We have every right to be respected as the originator and creator of our own work. (Article 30(2)  Including puppetry. 
Arts as a practice, not therapy.

I was nodding like a lunatic at so much what Moira was saying. Especially when it came to those horrible terms like 'service user' which I was labeled when a member of the IWA... Also when it came to context providers not just content providers. I created the context with my project, and so did my fellow members! Proud of that.


Puppets as story tellers 

Over the two days I filled my head with images, and words, and stories, and opportunities. Some I listened to at the symposium, others via Skype while lying on my hotel bed. Thank you Emma for providing this option for me. 

I was in awe with the presentation by Andrea Markovits from Chile, who talked about the puppets and traumatic memory project. Exploring the  pain felt by the public of the past regime in Chile, the families of the disappeared, the tortured. Silent puppets. Beautiful puppets. Powerful stories.

There were speakers from Japan, UK, Brazil, Germany, Finland, Portugal, Ireland, and Costa Rica (I think).
Subjects were: Well being, Disability, Hospital and care settings, and mental health. But even within these there was such a variety of subjects.

The speakers were either researchers in the field of puppetry, for example Persephone Sextou's 'Theatre for one' with children in hospitals, to Caroline Astell-Burt who teaches at the London school of puppetry. Antje Wegener who uses puppets with kids dealing with trauma. Or puppeteers with their own story to tell. (See all names here).  I loved how Oscar Goldszmidt worked with youngster with cerebral palsy, and enabled them to manipulate puppets...

The talks that touched me most were the ones where puppets transformed the lives of their makers. Most of the time by surprise. Puppets made Emma Fisher come out as disabled. A bit like coming out as LGBT. It informed her thesis about puppets and disability, which was initially about others with disability. For some the puppets they created supported them during mental health challenges. For example Kate James-Moore, and Aaron Jean Crombe. I think it was Joni-Rae Carrack, who said 'Puppets can be both objects and subjects',  in her talk about anxiety. Kate said that 'puppetry saved her life'.

The whole experience left me filled with images, and thoughts, and questions of where to go from here? It feels like there is no going back now. No going back into my box!


black and white photo of corina duyn lifting her puppet out of the box at the Puppet symposium
To me this photo says it all:
Puppet Johnny Dwyer and myself 

stepping into life...

© Photo by Nik Palmer  of Noisy Oyster
More photos by Nik see HERE

What next?

I had the pleasure of spending some time with Marisa Latimer after the symposium. She told me about her travels with puppets. Through college, working with puppeteers, stories from Japan. Expanding on the world I kind of knew existed.
Listening to her, I remembered the exact location of a puppet theatre in the city of Haarlem, where I lived 8 years before moving to Ireland. I always wanted to go in. I never did. 
I also remembered a very vivid dream of a kind of underground puppet theatre/museum. I remembered that I had copied puppet making books from the library over 20 years ago. How I have one business card with a puppet sitting by a pile of books, for at least 19 years.
That I was part of the puppet festival during a doll making week in France the year I got ill. 

I had communications with Kate, Aaron, Emma and Perspehone. And a meeting with Moira. Which has led to the invitation to give guest lectures at CIT, and a collaboration about Disability Rights and Puppetry. And other future possibilities for my work...
It is all hugely exciting. 
I am aware my body might not (yet) be as excited as my head, but I am certainly going to take small steps into this world which has been presented to me. Loud and Clear.
I hear you!!



Puppets have been part of my life. A hidden part of my life. Deep in my psyche.
They, and me, are ready to come out and play!!

To finish this amazing week, I learned that The life outside the box project was also mentioned in a Journal..., see link below.
The puppet making classes are going well, and I have already four more students lined up.
And I am now a member of the Irish UNIMA (International Union of Puppets, a non-governmental organisation affiliated to UNESCO)

Phew.

group photo of speakers and puppets at Puppet Symposium UCC, cork
Most of the speakers and visiting puppets at the symposium.
Mad bunch!


Further reading and links

Monday, July 31, 2017

Monday - a new beginning

A new day,
a new week,
a new challenge,
a new opportunity.

I like new beginnings.
They (can) scare me a little too.

Today I will be teaching my second puppet making class. Start of making the faces. A fascinating part of the process.  Dolls/puppets create themselves... they often end up looking like their makers.

Today I also have to finish preparation for the talk at the Puppet Symposium. (Putting it onto a memory stick, is pretty much all there is left to do!)
Almost there.
A talk about puppets in my life, and how illness in a way brought me to facilitating the Life Outside the Box puppet project, and all the amazing things I witnessed during the project.
still from puppet symposium talk how illness changed my life Corina Duyn
still from my talk how illness changed my life
still from puppet symposium talk 'Life Outside the Box' puppet project .Corina Duyn
still from my talk about the 'Life Outside the Box' project


still from puppet symposium talk 'Life Outside the Box' puppet project .Corina Duyn
still from my talk about the 'Life Outside the Box' project
Yes I am excited to be among others from all over the world who have an interest in puppets, health and disability.

Yes, I am a little worried too:
The logistics of travel; Working out how to best use my limited energy; Can I leave for a rest and not feel I am missing out. Staying in a hotel, and getting around (Thanks Pascale for being my PA!). Standing (sitting) up and sharing my story among this amazing line up of speakers. A little daunting, and yet I know I can do it.

Johhny Dwyer puppet ready to go to puppet symposium .Corina Duyn
Johnny Dwyer is ready to go!

For all the details of the Symposium, please visit the PUPPET BLOG where there is also a list of all the speakers and their brief. Speakers from as far as (I think) Chile, Germany, Japan, UK... and goodness know from where else.

for example:
Dr Melissa Trimingham: Puppetry and autism
Yasuko Senda: Heart-warming Smile Puppet Association
Emma Fisher: The Broken Puppet: puppetry and disability 
Poupak Azimpour: Listener dolls: a case study of women recovering from cancer
Gibdel Wilson: Puppets talk, communities listen
Aaron Jean Crombé: Self-acceptance and puppetry

A new era has begun, or just the next logical step in my story!

Talk to you soon.